Kas (
monstertea) wrote2017-03-14 01:51 pm
[TAZ] i know i like to draw that line when it starts to get too real
The problem isn't that the kid is too young to walk himself home, it was the neighborhood. Taako doesn't live in the slums, but his neighborhood isn't really a place for kids to wander around alone, either. Especially a boy detective who does't know how to keep his nose out of other people's business. That's why he's stuck with the kid in the first place, or so he reminds himself when his brain starts to think too fondly of him.
He walks at a languid pace next to Angus, knowing but not acknowledging that he's in no hurry to go home. "You keep working on that mage hand," he says as they walk through a neighborhood much nicer than Taako's. "Just don't go trying anything fancy on your own, little dude." It's a historic area where buildings have been converted into homes and quickly filled by the hoity-toity type of people who like white picket fences and employ other people to take care of their homes. It's easily the nicest foster home Angus has been in yet. So Taako could have dropped him off at the corner, it isn't a neighborhood that sees trouble. He tries to avoid run-ins with Angus's family, but he always has an excuse to see him to his door. At least with this neighborhood he has the easy excuse that it's just interesting to look at the houses, to answer Angus about what each building used to be. Yeah, he knows shit, too. He's just trying to remind the kid that he isn't smarter than him, he's not trying to impress him.
He walks at a languid pace next to Angus, knowing but not acknowledging that he's in no hurry to go home. "You keep working on that mage hand," he says as they walk through a neighborhood much nicer than Taako's. "Just don't go trying anything fancy on your own, little dude." It's a historic area where buildings have been converted into homes and quickly filled by the hoity-toity type of people who like white picket fences and employ other people to take care of their homes. It's easily the nicest foster home Angus has been in yet. So Taako could have dropped him off at the corner, it isn't a neighborhood that sees trouble. He tries to avoid run-ins with Angus's family, but he always has an excuse to see him to his door. At least with this neighborhood he has the easy excuse that it's just interesting to look at the houses, to answer Angus about what each building used to be. Yeah, he knows shit, too. He's just trying to remind the kid that he isn't smarter than him, he's not trying to impress him.

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Once his offer is accepted, he intends to lead the way back to the kitchen, but Taako takes the head as they move inside, which he finds highly amusing. "Do you know where you're going?" he asks, arching an eyebrow as he follows.
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"Do you like cooking?" he asks, smiling fondly as he removes a water bottle for himself, only to hesitate when he realize he doesn't know what Taako wants. "What do you want to drink?" he asks. "I can see you're about to crawl out of your skin, you want to snoop so badly, so go ahead. I'm not hiding any body parts in any of the cabinets, so let me know if you find any; I'll have to have words with my sister."
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He's not sure why he does it. Maybe it's fact that he barely knows Kravitz that makes it so easy to say, or maybe it's just the spell the kitchen has cast over him. He doesn't play it off with a joke, though. "Used to be a bomb-ass chef. Cooking was like, the whole reason I got out of bed. I was gonna be the next Emerill Lagasse, but shit broke bad and all that's out the window like so much trash," he says, laughing mirthlessly.
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"That makes you uniquely qualified to understand the shitty feeling of having to give up doing what you really love for a living," he says, his expression not pittying or sympathetic, but merely soft, as if to show he's listening to what's being said without judgement. "It's always a raw deal. I'm sorry things went south for you, you didn't deserve that."
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"Didn't do a damn thing to deserve it," he agrees, some levity returning to his tone. He grabs the water bottle sitting on the counter, opening it to take a long drink. "Not like I killed people or something, just boring old story about getting fucked over by a dirt bag." He takes a smaller sip, leaning against the counter. "What about you and this music thing? You play some instruments still or anything?"
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"I do, actually. Piano and guitar are my primary loves, but I can play several instruments besides those. I'm planning on turning the basement into a studio, so unfortunately my piano is still in storage while the renovations down there are still yet to be finished," he says, glancing from side to side as if checking to see if some mysterious third party is listening before leaning forward, tone of voice secretive. "Do you want to see the body drawers?"
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He quirks an eyebrow when Kravitz looks around and leans in and then fights back a grin. "You are fucking with me, you do not still have body drawers in your house! Who lives in a house with body drawers? Like, this place was a functioning morgue! Those things have to be so gross!"
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"Just like Jenkins, they've been bleached and cleaned," Kravitz says sensibly, although he's grinning rather unabashedly. "They're a central fixture of the original building, how could I not keep them in tact? All that storage just built into the walls."
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"Now you are so not convincing me about this not being a lich thing, my dude. Like every second I am here, I am so much more convinced." He doesn't sound put off, though, quite the opposite. He has a clear fascination with the idea of the body drawers. "Hell yes I want to see these bad boys. "
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"I've made my peace with it, at this point," Kravitz sighs, making a beckoning motion and heading out of the kitchen back into the living room. Down a small hallway with several doors, he eventually opens the one at the end, turning on a light that illuminates the stairway. As soon as he opens the door, it's clear that this part of the house isn't finished, not even close. The walls are discolored with age, and the stairs creak badly as Kravitz leads the way down. At the bottom, he leads the way through a few smaller rooms. "I'm planning on opening all this space up. These were rooms used for viewing the bodies and for waiting members of the deceased's family," he explains as he leads his way back.
Beyond those smaller rooms, there's one big, long one, with about a dozen huge metal drawers inset into a fixture that dominates the entire far wall. Just like in fucking Fantasy CSI, it's the drawers where bodies were kept until they were prepared and ready to be buried or cremated.
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He follows after Kravitz as they head down the hall and bites his lip against making a joke about getting a tour of the whole house. He's not sure if he'd pick up on the innuendo. So he lets Kravitz go down a few steps before he starts down the stairs. He doesn't fully trust them to support him and is glad when he reaches the bottom.
"So this is where all the ghosts are gonna be hanging out," he says. The rooms are giving him the creeps, which leads him to walking a bit closer to Kravitz. If something happens, he's gonna be the survivor. The room with the body drawers is easily the creepiest and most enchanting, though. "You could throw one hell of a Halloween party down here."
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It flusters him when Taako starts following him so closely, clearly unnerved by the space, but it's definitely understandable and not some kind of flirting. "It'd be a terrible party," he confesses. "Me, my sister, and Jenkins. We'd really let ourselves go." Yeah, he doesn't really...do friendships, or social gatherings. Makes parties kind of a bummer.
Moving slightly down the wall, he indicates a drawer about on eye level with Kravitz, and therefore a little higher up than Taako. "This is where I found Jenkins," he says, probably needlessly, because scrawled on what looks to be an ancient index card, in messy cursive writing, is the name 'Jenkins'. "He was the only one."
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Taako tilts his head back to look up at the drawer, steadying himself with a hand on Kravitz's shoulder to look at the index card. "Saying it that way sounds almost ominous. The only one left... was Jenkins. I love that you just use his real name. That is just bonus creepy, my dude, like just, hanging out in your office with this skeleton that you know the name of, that is a spooky thing you got going on."
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"Mission accomplished, I was trying to be ominous." That's a lie, but whatever, unintended bonus affect. "I don't know anything besides that. All the records got cleared out of here, so I don't know if that's his first or last name, how he died, who he is, none of it. He's just...Jenkins." A flush comes to his cheeks when Taako holds onto his shoulder for a better look at the index card, but he doesn't comment on it; only mentally prepares himself to steady the elf should he need help.
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He taps on the body drawer at his level, not moving away from Kravitz. "I bet you haven't even used these for any sick photo ops. I'd shove Angus in here for a photo so fast."
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"Please don't shove your.....ward into one of these," he says, not really sure what to call Angus since he's pretty sure the boy isn't Taako's son, at least not in any biological or legal sense. "I don't have the keys, so we'd be shit out of luck and he'd be stuck in there until the locksmith arrived." It's much easier to focus on the prospect of locking children into the body drawers than the fact that Taako is still so close to him, warm and smelling faintly of some floral perfume that Kravitz really likes. It's nice.
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"But yeah, maybe not so great to lock a kid in a body drawer. Now, Magnus or Merle..." He smirks like he's seriously considering a way to pull it off. Both of the men would be grossed out by it, but he'd bet money that Magnus would freak out.
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"So long as I can claim plausible deniability," Kravitz says saintly, looking up at the ceiling. "I don't want your boss to sue me for wrongful endangerment on the job."
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"I'll come up with a distraction for you," he says. He can think of a number of ways he could distract Kravitz. He can think of a number of very, very fun ways. "Besides, it's hardly endangerment when I could open the lock."
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Kravitz can also think of a few fun ways Taako could distract him, and while they're mostly innocent thoughts (cooking, holding hands, and if he's allowed to be racy, kissing), it's still enough to make his ears go pink. "I think he could still win a lawsuit since it's my fault he ended up in that situation to begin with."
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He's really biting his lip when he notices the flush of Kravitz's ears. He doesn't even bother trying to filter himself as he says, "Depending on how I've distracted you, I think he might find out and forget about all that nasty body drawer business in favor of being the busybody he is."
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Now it's not just his ears that are red, but his cheeks as well, but somehow Kravitz doesn't immediately straighten up and back up. "Well, even if he didn't....depending on how you distracted me, it would be worth the lawsuit," he says, voice hushed and a little shy.
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